2016 Colloquium: Mapping the Maternal

Mapping the Maternal: Art, Ethics and the Anthropocene, was a four day colloquium (May 11-14) organized by Natalie Loveless and Sheena Wilson

The four days of the conference were spent exploring feminist art and maternal ethics as they inform our thinking around anthropogenic climate change and energy transition.

The maternal has become a “hot-button” issue in contemporary feminist art and theory, and the subject of numerous recent conferences, exhibitions, and publications. UAlberta’s Research-Creation and Social Justice CoLABoratory, together with the Kule Institute for Advanced Study hosted a colloquium that featured many events, including an exhibition, a film screening, a literary salon, and a keynote address on feminist art, ecology, and the maternal from– all open to the public. As part of the event, the CoLABoratory launched the third in a New Maternalisms exhibition series, New Maternalisms Redux.

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  • Exhibition Opening, New Maternalisms ReduxMay 12, 6 – 9 p.m., FAB Gallery: The exhibition opening, set for Thursday May 12, 6 – 9 p.m., in UAlberta’s FAB Gallery, included live performance and discussion events by Canadian artist Jess Dobkin, who presented her Lactation Station Breast Milk Bar. Chilean artist Alejandra Herrera performed a durational work upstairs in the gallery called Testing the Waters, along with US artists Courtney Kessel, who performed nbsp;In-Balance-With with her daughter Chloe, and Jill Miller, of Milk Truck fame, who presented a new work, 24-hour Family Portraits.
  • Film Screening of Sheena Wilson’s PetroMama, Gina Miller’s Family Tissues and Irene Lusztig’s award winning The Motherhood Archives,May 13, 4-6pm, Garneau Theater
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